World Premiere: Théâtre Lyrique, Paris, 1863. by David Patrick Stearns. Opéra-comique précurseur du vérisme, Les Pêcheurs de perles est une œuvre à la sensualité exotique typique de l’orientalisme fantasmé du XIX e siècle. Accueil » LES PÊCHEURS DE PERLES. Critics at the time were not especially enthused but the audience was swept up in the ravishing score tinged with the allure of a mythical South Asian setting. For

Mr. Kwiecien is an ideal Zurga. Few operas can match the sheer lyric beauty of Bizet’s youthful Les Pêcheurs de Perles.Critics at the time were not in favor of it—the composer was accused, bafflingly, of imitating both Verdi and Wagner—but the audience was swept up in the ravishing score tinged with the allure of a mythical South Asian setting. Deux amis, amoureux de la même femme, se font le serment d’y renoncer pour ne pas blesser l’autre. Peter Gelb is Executive Producer. Alors qu’il n’a que vingt-cinq ans et qu’il est encore auréolé de son prix de Rome, Bizet reçoit une commande pour son tout premier opéra. LES PÊCHEURS DE PERLES. As Leila, Diana Damrau spends a good deal of time behind a veil, but there’s nothing retiring about the way she unleashes her voice, which gyres about the stage in a swirl of golden notes.”For the Met, Matthew Diamond directs the telecast. Operavore keeps its finger on the pulse of the international opera scene.

Les Pêcheurs de perles « Son regard brille au fond du temps obscur… » Les Pêcheurs de perles. Singing with burnished sound and lyrical richness… Mr. Polenzani sang this haunting aria of remembrance with wondrous lyrical tenderness while conveying the music’s gently swaying gait.”New York Magazine raved, “Gianandrea Noseda leads a gilded performance of the tremblingly French score… Matthew Polenzani, a tenor of enormous gifts and versatility, commands a legato so smooth it’s practically liquid. The Met’s acclaimed new production of Bizet’s The Pearl Fishers (Les Pêcheurs de Perles), a rarity by the composer of Carmen that has not been staged by the company in a century, comes to THIRTEEN’S Great Performances at the Met for the first time Sunday, May 22 at 12 p.m. on PBS(Check local listings). The important role of the chorus is evident from the opening number, with its extraordinarily beautiful middle section for men’s voices. C’est chez Gounod que l’auteur de Carmen apprend la transparence et la couleur unique de la vocalité française. Ms. Damrau brings brilliant coloratura agility, radiant sound and charisma galore to the role of Leila. Pour lui donner la réplique, une distribution exclusivement francophone – composée de Julien Dran, Jean-François Lapointe et Patrick Bolleire – est réunie. The drama itself remains within the conventional standards of the day, with a love triangle complicated by the true friendship of the two men involved in it.The opera was originally set in Ceylon (modern Sri Lanka) in non-historic “ancient times,” signifying an exotic land with a mythical and romantic aura. The Met’s new production places the action in an unspecified locale in the Far East.In addition to its striking lyrical expression, the score is filled with surprising and delightful features throughout. Three of them, in 1916, starred Enrico Caruso and Giuseppe De Luca.“When word gets around,” The New York Times predicted in its review earlier this season, “the sleeper hit of the Metropolitan Opera season could be the new production of Bizet’s Les Pêcheurs de Perles (The Pearl Fishers)… The British director and filmmaker Penny Woolcock, working with a dream cast… delivers in this sensitive and insightful production. In New York, THIRTEEN will air the opera on Sunday, May 29 at 12:30 p.m.The 1863 opera premiered at the Théâtre Lyrique in Paris, 1863. Mariusz Kwiecien brings a muscular authority and tough-guy tenderness to Zurga, the potentate with a heart of gold. Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Jay David Saks is Music Producer. Post a Comment Operavore. Bizet, jeune lauréat du Prix de Rome, n’avait pas 25 ans lorsqu’il créa Les Pêcheurs de perles au Théâtre Lyrique, lieu des productions les plus intéressantes de l’époque. Parviendront-ils à tenir ce difficile engagement ? Alors qu’il n’a que vingt-cinq ans et qu’il est encore auréolé de son prix de Rome, Bizet reçoit une commande pour son tout premier opéra.

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