It was very fortuitous for everybody, I guess.”In the summer of 1965, Dylan invited Bloomfield to join sessions for his sixth studio album, “I figured he wanted blues, string bending, because that’s what I do,” the guitarist recalled. At the end of May, Bloomfield took one up from old mate Al Kooper, who he first met at the Dylan sessions, to take part in a two-day jam in LA. The Paul Butterfield Blues Band was a voluminous blast that hipped the white college crowd to the electric roar of black America. But they were sittin’ there loving the music all night, so we couldn’t drink the wine until they left. “Dylan thought he was. “Michael said he loved being in a blues band, and nothing could unseat him from that.” Kooper did tour briefly with Dylan after the album was done. He was born into a wealthy, North Side Chicago family and grew up a “Good Jewish Boy” — until he hit the age of 14 and discovered the guitar and Southside Chicago Blues. They put the entire Bloomfield also immersed himself in John Coltrane and Ravi Shankar, paying attention to their modal qualities. We want to hear from you! Bloomfield was “the reverse – 90 percent talent, 10 percent ambition.”The result: Almost 50 years later, Bloomfield – the subject of a new multi-disc anthology produced by Kooper, But in the Seventies, as Clapton ascended to sold-out arenas, Bloomfield slipped into twilight in San Francisco, working with low-profile bands and making small-label records while wrestling with chronic insomnia and heroin. One of the greatest Blues guitarists to ever live — and die much too young — was Mike Bloomfield.
He was playing in a way that so many guitarists got into later, but Mike was one of the first ones to be really able to nail it as a young white player.”“There were a lot of people in San Francisco who alleged to be blues players,” recalls Tracy Nelson. All rights reserved. “But that’s not the same as ambition. He had the intensity in his soul.

It was a tragic end to a too-brief life. Republicans Stopped It After 30 SecondsNever-Before-Seen Photographs of Michael Jordan Capture the Rise of the Basketball Legend Michael was the next generation from the old blues guys. “He got to know that kind of life.”By the early Sixties, Bloomfield was a major part of Chicago’s blues scene. —Elijah Wald, author of Dylan Goes Electric! I didn’t know they were just listenin’ to Wolf, Muddy and myself.”It wasn’t long before Bloomfield became part of the scene, joining his heroes on stage for impromptu jams. Future Publishing Limited Quay House, The Ambury, “Even I didn’t want to take that position. New box set honors a crucial legacy“I thought, ‘That’s hilarious,'” recalls organist Al Kooper, one of the sidemen at that meal. Both men deeply respected the other’s talents and appreciated the wider picture. “I didn’t like him,” Bloomfield admitted later. “So when Mike or Butterfield would sneak in, I’d tell my three-piece band to hide the wine because I thought two cops were in. Hendrix thought he was. “But he left his mark.”Still, in that 2009 interview, Dylan wondered what might have been. He was just this constant ball of energy. Went back home to San Francisco. “I’d never heard anybody that good, much less somebody my age.
Their brew of brassy R&B and zestful blues was an instant success, even landing them an appearance in Peter Fonda/Roger Corman flick But Bloomfield wasn’t satisfied. Waspish covers of Willie Dixon, Muddy Waters and Elmore James jostled for space with Bloomfield originals like Their moment of glory arrived the following year. Sorry, thanks, and good luck. The adrenalin rush of Monterey must have seemed a distant memory by the time the Electric Flag’s debut, Not that he was short of offers. “I admired Michael more than I can say, but he’d just go crazy on the road,” recalls John Hammond Jr. “He didn’t have an inner balance to keep him grounded. He excelled on Albert King tribute After the party retired following a fruitful day’s play, Bloomfield never returned. He was that good. There was an ill-advised Electric Flag reunion, a short-lived band called KGB and, bizarrely, scores for porn movies like By the end of the decade, Bloomfield was playing a Bay Area bar called the Old Waldorf, or occasionally recording with newcomers like Woody Harris. In the summer of ’65, keyboardist Mark Naftalin, soon to join the Butterfield Blues Band, saw him before a gig in New York.


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