Dick finds out that she is a Princess and he angrily leaves.

Van Dyke. It has also been reported that the polish which characterized the composer's work seemed to lose its luster with each rewrite. The story, however, is a lightweight which not only positively creaks under the welcome load of song and dance but collapses altogether from the strain of supporting an incredibly lightweight but extremely heavy- handed plot. Was this review helpful? She always struck me as a cold fish - and there's very little chemistry between her and Nelson Eddy (who is in fine voice) so the romance between them seems totally artificial. When he finds out who she is and that she's engaged, he heads back to America. Disabling it will result in some disabled or missing features. Nelson Eddy sinks under the strain, Ray Bolger really out-stays his welcome, and the juvenile kid who plays such a large part in the plot is not welcome at all. There is some enjoyable comedy provided by Frank Morgan, Ray Bolger and Billy Gilbert, all of whom I enjoyed more than the leads. Like someone you're in love with, it's not perfect...but, you are still in love. Contents Ray Bolger is completely wasted as Eddy's friend and Billy Gilbert's scenes, in which he sneezes over all bystanders, should have tasted the cutting room floor. Your recently viewed items and featured recommendations The film I picked out was Rosalie, a big-budgeted MGM musical from 1937 based on a Broadway operetta produced in 1928 with a score by George Gershwin and Sigmund Romberg and a book by William Anthony McGuire and Guy Bolton. It must only be one movie: Rosalie, starring Eleanor Powell as his leading lady. Was this review helpful? But with the confidant and athletic Powell delivering the insults you really start to wonder if wooden Eddy is a masochist or just extremely submissive. Princess Rosalie visits West Point, but she is disguised. The drill is an imaginative sequence that takes advantage of Powell's incredible skills. The music features a pleasant score from Cole Porter and the song In the Still of the Night is a catchy and beautiful song, while the choreography dazzles in energy(very like how Ilona Massey dazzles in her beauty)- especially in the title number- providing the film's best moments. Van Dyke II, is a super duper-duper production based on the Florenz Ziegfeld stage musical of the same name starring Marilyn Miller.

Add some popular supporting actors like Frank Morgan, Ray Bolger, and Edna May Oliver, and, for those few who find a professional sneezer amusing, Billy Gilbert. Frank Morgan is endearing as a king with an eye for the girls, while Edna May Oliver is completely convincing as his forever-angry wife. Read it, the story is delightful! 2 out of 3 found this helpful. That stiffness is partly in the role as West Point cadet, but it's mostly Nelson. Well, I've spent a lot of space discussing the sets and you might come away with the impression that the sets are one of the most important features of the movie. For several bars of the latter, we see the back of Nelson Eddy as he sings to the back of Eleanor Powell. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in.After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. A super-expensive movie with a huge amount of money tied up in the most elaborate sets – all designed by Merrill Pye without any input whatever by Metro-Goldwyn-Mayer's reigning art director, Cedric Gibbons. Some reviewers called it weird and stupid, but it was supposed to be bizarre in the magical surreal escapism way it provided so well.

It simply means that Pye was the art director and that he designed the sets for most of the film, particularly – but not limited to – its musical numbers. The Souza march changes from 4/4 to waltz time for a Powell solo. Princess Rosalie visits West Point, but she is disguised. Was this review helpful? Rosalie (Starlight Operetta Production, 1948) which opened July 12, 1948 with a cast that included Arthur Treacher, Grace McDonald, Robert Feyti, Alan Carney, Gloria Elwood on Ovrtur, the database of musicals from New York, London and beyond.

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