So the idea of being a fine artist came very, very late, and came by way of examples of people who I became aware of, their extraordinary achievements.

But these newer paintings, they were troubling to people, and understandably so.Wayne Thiebaud: I can’t take any credit for any theoretical or philosophical awareness of it.Wayne Thiebaud: I’m sure that’s true in some way. Mallary encouraged Thiebaud to study fine art, and to broaden his education generally.

I really don’t have any idea, because I think of myself walking down Madison Avenue, or looking for the next gallery, or the museum.Wayne Thiebaud: I was, two different times, about a year each time.

He continued his landscape series for the next 20 years, finding haunting beauty in apparently commonplace scenes, rendered with hyper-realistic detail.

And that’s of course where I met a very important person to me, Robert Mallary.



Nearing 30 years of age, Thiebaud enrolled in the California State University system, first at San Jose and then at Sacramento, where he earned bachelor’s and master’s degrees.

I can do it differently.” So that is a part, at least for me, of what I do. In that instance, I think you don’t think of creativity so much, because what you’re doing is creating all the time.



Something which you never ever would think of it ever occurring.

But I think I did miss space, maybe.Wayne Thiebaud: No, I’ll tell you something about light.





If we’re interested at all, that kind of interest goes up and down, like the stock market, sometimes to disastrous results, in many instances. He was pursuing fine art, even though he was working as a commercial artist. Wayne Thiebaud later married filmmaker Betty Jean Carr, and adopted her son Matthew, who also became an artist. Stone was initially indifferent to the slides he saw of Thiebaud’s food paintings, but when the artist contacted him again a year later, Stone remembered them vividly and agreed to represent him. He combined a number of interests then current in American art: thick, gestural brushwork, everyday subject matter, and commercial imagery. There’s a real difference in the character of gesticulation and location, things like that.Wayne Thiebaud: Lots of books, but I wasn’t a great student or a great reader until quite late.

Impressed with the artists’ cooperatives he had observed in New York, he founded a cooperative gallery in Sacramento, now known as Artists Contemporary Gallery, and an artists’ retreat known as the Pond Farm. We know and you know how important editors are, and have been.




Especially during the Depression, in the thirties, everyone read them.
He still likes to eat the pies, cakes and ice cream that he paints, …

It just makes you feel, “This can’t work.” So that was very much a part, at least, of the ideas I wanted to try to get into it.

I think the work for me is very American, although I love all art, from whatever country or tradition. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica.Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox.

Dangerous, in a sense of over-celebration. Many of his students have enjoyed distinguished artistic careers, not the least of whom was the late Wayne Thiebaud: The first New York show, yes. That’s why I have difficulty in convincing students to stand when they paint, rather than sit, for instance.

So you prepared yourself, and you should say to yourself, “I’m lucky to be in this community of excellence,” and you may not do very much, but it should be serious, well-intentioned and highly critical.















Not from light, oddly enough, but from the tradition of painting. And they couldn’t have been a greater psychological base to give me the kind of ego I have.Wayne Thiebaud: Just that I felt I could do anything I wanted.

It helps to enliven.

So it made it even a closer-knit family, I think.Wayne Thiebaud: No, not that I know of.

“Krazy Kat” is more than a comic strip; it’s an inquiry into the idea of humanness, vulnerability, love.

On the other hand, if it’s a little too stable it can die on you.

[Popeye first appeared in “Thimble Theatre.”] That was the first thing that I copied! He also distinguished himself among his contemporaries through his exacting craftsmanship and his uncompromising dedication to his own vision, without regard for changing fashions or trends in the art world.As other artists adopted the now accepted pop art motifs, Thiebaud turned increasingly to the representation of the human figure, rendered in meticulous detail, but with a dispassionate sense of weight and solidity that freed the painted figure from any implication of sentimentality or superficial appeal. Cezanne’s paintings have eight or nine perspectives, various views of the same still life viewed from several angles and trying to incorporate that into one. Wayne Thiebaud is an American painter best known for his still lifes of edible treats and everyday objects in his singular illustrative style.



When you get to a point of where you can do something, somehow, that you feel you can do, and you anticipate the end result, it’s no longer very interesting.

He’s a master for me. Your image can depend on a kind of exaggeration or reduction.


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